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The Midnight Sun Will not Set

 The Night time Sun Can never Set Article

" Midnight Sunlight Will Never Set”

Quincy Roberts was one of the biggest writers and arrangers of the jazz community and his composition by the name of " Midnight Sunshine Will Never Set" did not fall short of his abilities. In the 1950s, Jones wrote two types of the music, one in 1958 and the various other in 1959. Although only 12 months apart, it is evident that Quincy produced many considerable changes. The changes made weren't drastic until it is distorted, and many commonalities including the tune line were left undamaged. Considering both arrangements were by the same man and were simply written one year apart from each other they have similarities and many differences. In the 1958 edition of " Midnight Sunlight will Never Set" Quincy's interpretation of the tune and background was a much more melodic. By simply melodic I mean that this individual focused on the chords getting played by the band in contrast to just the melody. He starts this set up by having a guitar play the melody. As the melody is definitely on top, the saxophone and brass sections are playing block chords that give a warm and dark audio. This helps established the environment for which the melody is happening. At parts during the track the brass also partcipates in solo playing as he response briefly towards the melody line stated by guitar but fades back in the experience later inside the song. Quincy jones also decided not to include any soloist improvise in the melody, could be because he thought it would be out of place in such an involved and complex ballad, in contrast to what he did in the 1959 variation where he chosen to include a soloist among a number of other changes. A year later, Quincy Williams wrote a fresh arrangement from the song " midnight sunshine will never set". This set up shared various similarities for the original yet incorporated even more rhythmic figures instead of centering on just the melodic aspect. In the new set up Mr. Smith decides to get the alto saxophonist play at the melody line over the band instead of the guitar which...

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